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Ritual de lo habitual
*alternative rock *funk metal *neo-psychedeliaStylus Magazine Review *post-punk}} | Length = 51:30 | Label = Warner Bros. | Producer = | Last album = Nothing's Shocking (1988) | This album = Ritual de lo habitual (1990) | Next album = Strays (2003) | Misc = }} Ritual de lo habitual is the second studio album by Jane's Addiction, released on August 21, 1990, by Warner Brothers. Co-produced by Dave Jerden, it was the band's final studio album before their initial break-up in 1991. Singles from Ritual de lo Habitual include "Been Caught Stealing" and "Stop!". Ritual de lo habitual is certified 2× Platinum in the U.S. Music The album is divided into halves. Tracks 1–5 are unrelated hard rock songs. The cassette version of the album has about ten minutes of silence on side A, because side B is ten minutes longer. Tracks 6–9 are in memoriam of singer Perry Farrell's deceased girlfriend Xiola Blue, who died of a heroin overdose in 1987 at the age of 19. "Three Days" and "Then She Did" bear a progressive rock influence, while "Of Course" carries an Eastern influence, with a prominent violin throughout. "Then She Did" also chronicles Farrell's mother's suicide when he was four years old. "It's probably one of the reasons we were brought together…" remarked guitarist Dave Navarro, whose mother was murdered when he was a teenager. "I have memories of us being onstage together and, before we played 'Then She Did', Perry would grab me and say, 'Let's do this for our moms.' I still get chills when I think about it." "When you have something like that happen…" noted Farrell, "the better thing to do is to try to make some flowers grow out of it." "Ain't No Right" begins with Farrell singing excerpts from "Sex & Drugs & Rock & Roll" by Ian Dury and the Blockheads against a dub reggae backdrop of a drum machine and synthesized bass, which he eventually slurs into a profanity-laced rant. The intro ends and "Ain't No Right" begins. "I can spot traces of other people on this album, us included," remarked Alice Cooper, "but that's all they are: traces. They were a really original band. This is their peak album, where they really went out on a limb. Sometimes I get so caught up in these songs, I can actually feel the band pushing themselves to their limits. Sometimes I can't believe how strong it is. I wonder if this will have the same effect on some kid as Chuck Berry had on me ..."Melody Maker, 18 June 1994 Packaging Two versions of the disc packaging were created: one album featured cover artwork by singer Perry Farrell, related to the song "Three Days" and including male and female nudity; the other cover has been called the "clean cover", and features only black text on a white background, listing the band name, album name, and the text of the First Amendment (the "freedom of speech" amendment) of the U.S. Constitution. The back cover of the "clean cover" also contains the text: Hitler's syphilis-ridden dreams almost came true. How could it happen? By taking control of the media. An entire country was led by a lunatic… We must protect our First Amendment, before sick dreams become law. Nobody made fun of Hitler??! The "clean cover" was created so the CD could be distributed in stores which refused to stock items with represented nudity. Reception | rev2 = Chicago Tribune | rev2Score = | rev3 = Entertainment Weekly | rev3Score = A− | rev4 = Los Angeles Times | rev4Score = | rev5 = NME | rev5Score = 9/10 | rev6 = The Philadelphia Inquirer | rev6Score = | rev7 = Q | rev7Score = | rev8 = Rolling Stone | rev8score = | rev9 = The Rolling Stone Album Guide | rev9Score = | rev10 = Select | rev10Score = 5/5 }} "The gigantic swerve and swagger of 'Stop', the Chili Pepperish taunts of 'Ain't No Right', 'Of Course' s raga rocking and, above all, the epic 'Three Days', where guitarist David Navarro gets to pile the layers shoulder high, prove to be the stuff of true compulsion," wrote Peter Kane in Q. "Enigmatic, audacious and unpredictable to the last." "It all makes you realise how few bands actually bother to try and be any good, to play stuff that's inspirational," enthused Andrew Perry in a retrospective review for Select. The same magazine later listed Ritual as the fifth best album of the '90s: "Nevermind would never have been possible without it. And, along the way, they ushered in the Led Zep revival."Select, February 1996 In 2003, the album was ranked number 453 on Rolling Stone magazine's list of the 500 greatest albums of all time.RS500: 453) Ritual de lo Habitual. Rolling Stone. Retrieved on 2009-05-10. The album was also included in the book 1001 Albums You Must Hear Before You Die. Track listing Personnel ;Jane's Addiction: *Perry Farrell – lead vocals, piano ("Of Course"), guitar ("Three Days") *Dave Navarro – guitar *Eric Avery – bass *Stephen Perkins – drums ;Additional musicians *Charlie Bisharat – violin ("Of Course"), electric violin ("Then She Did ...") *Ronnie S. Champagne – bass ("Of Course") *John Philip Shenale – strings ("Then She Did ...") *Geoff Stradling – piano ("Obvious," "Then She Did ...") *Cindy Lair – spoken word ("Stop!") ;Other personnel *Herman Agopain - assistant *Victor Bracke - photography *Kim Champagne - advisor *Ronnie S. Champagne - engineering, guitar technician *Chris Edwards - assistant *Perry Farrell - artwork, production *Ross Garfield - drum technician *Dave Jerden - production *Bob Lacivita - engineering *Tom Recchion - advisor *Eddy Schreyer - mastering Certifications Charting positions Album Singles References External links * Ritual de lo Habitual at Discogs * Album Review at Cokemachineglow * Album Review at Music Emissions Category:1990 albums Category:Jane's Addiction albums Category:Albums produced by Dave Jerden Category:Warner Bros. Records albums Category:Obscenity controversies in music